Having said that, we do take the consoles out from time to time. ‘The SD9 is used as the broadcast console while the SD11 is mounted in a rack on the studio floor for monitors. ‘Both consoles are, more or less, permanently installed at Martin Place studios,’ Fransz says. But it was the bang for buck that made it a no brainer.’īoth consoles were put to work on arrival at Network Seven, where they have been performing tirelessly in a typically demanding live broadcast environment. The quiet and very transparent mic preamps as well as ADA was also a winning factor. Having all that processing power in such a small device was another. ‘Size and flexibility were among my reasons.
Sd9 offline editor upgrade#
Having used these consoles regularly for some time without any issue, going DiGiCo for the upgrade was really a simple choice. When Ivan’s truck isn’t available I’ll use his D5 Live console. ‘When we do an outside broadcast we use Ivan’s DubMobile mobile recording truck, which is fitted out with a DiGiCo DS-00. Head of Sound, Randy Fransz, explains the thinking behind the investment: ‘The team at Seven usually consists of Ivan Ordenes of Dubology Studios and myself,’ he begins. Top of this list is Australia’s Seven Network, for which ASA handles broadcast audio for the Sunrise and The Morning Show programmes. Specialising in live music broadcasting, Audio Systems Australia (ASA) has recently adopted DiGiCo SD9 and SD11 digital mixing consoles in order to meet the growing demands of its premier clients.
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